"The Art of Solitude", by Anne Morrow Lindbergh
Anne Morrow Lindbergh in 1929
Extract from:
Anne Morrow Lindbergh
Gift from the Sea
(1955)
MOON SHELL
This is a snail shell, round, full and glossy as a horse chestnut. Comfortable and compact, it sits curled up like a cat in the hollow of my hand. Milky and opaque, it has the pinkish bloom of the sky on a summer evening, ripening to rain. On its smooth symmetrical face is pencilled with precision a perfect spiral, winding inward to the pinpoint center of the shell, the tiny dark core of the apex, the pupil of the eye.
It stares at me, this mysterious single eye — and I stare back.
Now it is the moon, solitary in the sky, full and round, replete with power. Now it is the eye of a cat that brushes noiselessly through long grass at night. Now it is an island, set in ever-widening circles of waves, alone, self-contained, serene.
How wonderful are islands ! Islands in space, like this one I have come to, ringed about by miles of water, linked by no bridges, no cables, no telephones. An island from the world and the world’s life. Islands in time, like this short vacation of mine. The past and the future are cut off; only the present remains. Existence in the present gives island living an extreme vividness and purity. One lives like a child or a saint in the immediacy of here and now.
Every day, every act, is an island, washed by time and space, and has an island’s completion. People too become like islands in such an atmosphere, self-contained, whole and serene; respecting other people’s solitude, not intruding on their shores, standing back in reverence before the miracle of another individual. “No man is an island,” said John Donne. I feel we are all islands — in a common sea.
We are all, in the last analysis, alone. And this basic state of solitude is not something we have any choice about. It is, as the poet Rilke says, “not something that one can take or leave. We are solitary. We may delude ourselves and act as though this were not so. That is all. But how much better it is to realize that we are so, yes, even to begin by assuming it. Naturally,” he goes on to say, “we will turn giddy.”
Naturally. How one hates to think of oneself as alone. How one avoids it. It seems to imply rejection or unpopularity. An early wallflower panic still clings to the word. One will be left, one fears, sitting in a straight-backed chair alone, while the popular girls are already chosen and spinning around the dance floor with their hot-palmed partners. We seem so frightened today of being alone that we never let it happen. Even if family, friends and movies should fail, there is still the radio or television to fill up the void. Women, who used to complain of loneliness, need never be alone any more. We can do our housework with soap-opera heroes at our side.
Even daydreaming was more creative than this; it demanded something of oneself and it fed the inner life. Now, instead of planting our solitude with our own dream blossoms, we choke the space with continuous music, chatter and companionship to which we do not even listen. It is simply there to fill the vacuum. When the noise stops there is no inner music to take its place. We must re-learn to be alone.
It is a difficult lesson to learn today — to leave one’s friends and family and deliberately practice the art of solitude for an hour or a day or a week. For me, the break is the most difficult. Parting is inevitably painful, even for a short time. It is like an amputation, I feel. A limb is being torn off, without which I shall be unable to function. And yet, once it is done, I find there is a quality to being alone that is incredibly precious. Life rushes back into the void, richer, more vivid, fuller than before. It is as if in parting one did actually lose an arm. And then, like the star-fish, one grows it anew; one is whole again, complete and round—more whole, even, than before, when the other people had pieces of one.
For a full day and two nights I have been alone. I lay on the beach under the stars at night alone. I made my breakfast alone. Alone I watched the gulls at the end of the pier, dip and wheel and dive for the scraps I threw them. A morning’s work at my desk, and then, a late picnic lunch alone on the beach.
And it seemed to me, separated from my own species, that I was nearer to others: the shy willet, nesting in the ragged tide-wash behind me; the sandpiper, running in little unfrightened steps down the shining beach rim ahead of me; the slowly flapping pelicans over my head, coasting down wind; the old gull, hunched up, grouchy, surveying the horizon. I felt a kind of impersonal kinship with them and a joy in that kinship. Beauty of earth and sea and air meant more to me. I was in harmony with it, melted into the universe, lost in it, as one is lost in a canticle of praise, swelling from an unknown crowd in a cathedral. “Praise ye the Lord, all ye fishes of the sea — all ye birds of the air — all ye children of men — Praise ye the Lord !”
Yes, I felt closer to my fellow men too, even in my solitude.
For it is not physical solitude that actually separates one from other men, not physical isolation, but spiritual isolation. It is not the desert island nor the stony wilderness that cuts you from the people you love. It is the wilderness in the mind, the desert wastes in the heart through which one wanders lost and a stranger.
When one is a stranger to oneself then one is estranged from others too. If one is out of touch with oneself, then one cannot touch others. How often in a large city, shaking hands with my friends, I have felt the wilderness stretching between us. Both of us were wandering in arid wastes, having lost the springs that nourished us — or having found them dry. Only when one is connected to one’s own core is one connected to others, I am beginning to discover. And, for me, the core, the inner spring, can best be refound through solitude."
